2014 Auction Catalog – The Photo Review

These photographs were available for bidding at our Benefit Auction in October 2014.

Ann Rowland: Untitled Self-portrait (man)
1986, chromogenic print, signed and dated verso
Image size: 19.125"x15"
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500

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Ann Rowland: Untitled Self-portrait (woman)
1987, chromogenic print, signed and dated verso
Image size: 19.125"x15"
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500
Self portrait with projection of sculpture.

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Sebastião Salgado: Construction of the Georges Pompidou Museum of Modern Art, Paris
c. 1975, silver print, unmounted. With photographer's stamp on verso.
Image size: 6.375"x9.5"
Sheet size: 7.5"x11"
($800–$1,500) — Minimum bid: $450
From a series that Salgado did in the 1970s before the museum was completed in 1977.

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Laurence Salzmann: Blue Aegean
2012, three archival pigment prints on canvas, signed verso
Image size: 10.75"x16" each
Sheet size: 13"x19"
($800–$1,200) — Minimum bid: $200
Accompanied by the exhibition catalogue Imagining Cutumba, Santiago de Cuba

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Al Satterwhite: Rockefeller Center Ice Rink
1992, archival pigment print, signed recto
Image size: 7"x7"
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"

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Al Satterwhite: The Twin Towers
1981, archival pigment print, signed recto
Image size: 7"x7"
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"

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C E Savage (?): Untitled (Western Landscape)
c. 1880s, albumen print, mounted, pl. 40 in negative
Image size: 5.75"x7.5"
Sheet size: 5.75"x7.5"
($300–$600) — Minimum bid: $150
Charles Roscoe Savage (August 16, 1832 – February 4, 1909) was a British-born landscape and portrait photographer who produced images of the American West. He is best known for his 1869 photographs of the linking of the first transcontinental railroad.

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Lynn Saville: Corner, Brooklyn, NY
2014, digital Lambda print , signed verso
Image size: 16.5"x22"
Sheet size: 20"x24"
($1,000–$2,000)
Lynn Saville's monograph Vacancy to be published by Damiani in Fall of 2015

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SOLD!

Charles Schenk: Study of Woman's Hands
c.1905, gelatin silver print, pl. 6 in negative
Image size: 10"x13"
Sheet size: 11"x14"
($600–$800)

SOLD!

Charles Schenk: Study of Woman's Hands
c.1905, gelatin silver print
Image size: 13.75"x10.5"
Sheet size: 19.625"x13"
($600–$800)

SOLD!

Diana Schoenfeld: Illusory Arrangement: Female Figure with Leaves and Stones
1973, gold chloride toned Solio (exposed in sunlight) contact print, signed verso and recto
Image size: 8"x10"
Sheet size: 8"x10"
($700–$1,400)
Gold Chloride toned Solio (exposed in sunlight) contact print, using Kodak Studio Proof “printing out” paper, now obsolete. Image becomes visible during exposure to sunlight, then is bathed in gold chloride solution which creates the warm brown tones. All figures in these montage-like still life compositions known as “Illusory Arrangements” were torn out of Schoenfeld’s earlier made figure studies. This is a rare print. Only several exist. In 1977, Illusory Arrangements by Diana Schoenfeld was published as a limited edition original print artist’s book by G. Ray Hawkins Gallery, Los Angeles, CA. The small book contains 15 miniature (3 1/8” x 4 3/16”) gold chloride toned solio contact prints. Because “Female Figure with Leaves and Stones” is an 8"x 10" negative, it was not included in the Illusory Arrangements book. Illusory Arrangements, including “Female Figure with Leaves and Stones,” were exhibited at the following venues:
• Cameraworks Soho Photo Galleries, Los Angeles 1975, where they were reviewed by Henry Seldis (Los Angeles Times, Feb. 20, 1975) as “evocative . . . the female figure presented as part of a greater mystical naturalism.”
• Lampkin Camerawork Gallery, Fairfax, CA
• “Women’s Photography Invitational.” Artemesia Gallery, Northwestern Univ., Evanston, Il, 1975
• “Photo-Collage.” University of Oregon, Eugene, OR, 1977
• “Interior Spaces.” University of California, Davis, 1978 (catalogue)
• “Rhythmic/Illusory/TransitoryArrangements.”Brindl Gallery, Camden, Maine, 1982
• “Schoenfeld Still-Life: Selections, 1973-84.“ Art Museum, University of Oregon, Eugene, 1990
• “Image and Process.” Solomon-Dubnick Gallery, Sacramento, CA, 1994
• “The Eye of the Beholder.” Avon Collection. International Center of Photography, NYC, 1997
• Landscape and Memory. Photographs by Diana Schoenfeld. Exhibition and illustrated brochure produced by First Street Gallery, Eureka CA, 1999.

Gundula Schulze: Dresden
c. 1989, chromogenic print, signed verso
Image size: 15.5"x23.25"
Sheet size: 20"x24" (Courtesy the Tartt Gallery)
($2,000–$4,000) — Minimum bid: $500

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Schutte Studio, Baltimore, MD: Conjurer
ND, silver print
Image size: 5.5"x4"
Sheet size: mounted on card, 7.75"x5.75"
($400–$750)

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Vincent Serbin: Final Fugue
1979, silver print, signed and dated recto
Image size: 13.75"x9.5"
Sheet size: 14.75"x10.5"
($500–$800) — Minimum bid: $250

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Vincent Serbin: The Fiddler
1980, silver print, signed and dated recto
Image size: 12"x8"
Sheet size: 13.25"x9.5"
($500–$800)

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Vincent Serbin: Untitled
1976, silver print, signed and dated recto
Image size: 12"x18"
Sheet size: 14"x19.5"
($500–$800) — Minimum bid: $250

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Raphael Shammaa: From Parker’s Window
2014, archival pigment print, signature card with print
Image size: 12"x18"
Sheet size: 13"x19"
($400–$800) — Minimum bid: $150

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Keith Sharp: Curtain Call
2012, archival pigment print, signed recto
Image size: 11.5"x17.5"
Sheet size: 17"x23"
($350–$700)
Included in "Of Memory, Bone, and Myth," Rourke Art Museum, Moorhead, MN, and "The Art of Photography Show," San Diego, CA where it received 3rd place. It is in the collection of the Portland Art Museum of Art, Portland, OR.

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