These photographs were available for bidding at our Benefit Auction in October 2014.
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500Place a Bid" >
Ann Rowland: Untitled Self-portrait (man)
1986, chromogenic print, signed and dated verso
Image size: 19.125"x15"
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500Place a Bid
($2,000–$3,000) — Minimum bid: $1,500Place a Bid" >
Ann Rowland: Untitled Self-portrait (man)1986, chromogenic print, signed and dated verso
Image size: 19.125"x15"
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500Place a Bid
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500
Self portrait with projection of sculpture.Place a Bid" >
Ann Rowland: Untitled Self-portrait (woman)
1987, chromogenic print, signed and dated verso
Image size: 19.125"x15"
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500
Self portrait with projection of sculpture.Place a Bid
($2,000–$3,000) — Minimum bid: $1,500
Self portrait with projection of sculpture.Place a Bid" >
Ann Rowland: Untitled Self-portrait (woman)1987, chromogenic print, signed and dated verso
Image size: 19.125"x15"
Sheet size: 20"x16" (Courtesy the Tartt Gallery)
($2,000–$3,000) — Minimum bid: $1,500
Self portrait with projection of sculpture.Place a Bid
Sheet size: 7.5"x11"
($800–$1,500) — Minimum bid: $450
From a series that Salgado did in the 1970s before the museum was completed in 1977. Place a Bid" >
Sebastião Salgado: Construction of the Georges Pompidou Museum of Modern Art, Paris
c. 1975, silver print, unmounted. With photographer's stamp on verso.
Image size: 6.375"x9.5"
Sheet size: 7.5"x11"
($800–$1,500) — Minimum bid: $450
From a series that Salgado did in the 1970s before the museum was completed in 1977. Place a Bid
($800–$1,500) — Minimum bid: $450
From a series that Salgado did in the 1970s before the museum was completed in 1977. Place a Bid" >
Sebastião Salgado: Construction of the Georges Pompidou Museum of Modern Art, Parisc. 1975, silver print, unmounted. With photographer's stamp on verso.
Image size: 6.375"x9.5"
Sheet size: 7.5"x11"
($800–$1,500) — Minimum bid: $450
From a series that Salgado did in the 1970s before the museum was completed in 1977. Place a Bid
Sheet size: 13"x19"
($800–$1,200) — Minimum bid: $200
Accompanied by the exhibition catalogue Imagining Cutumba, Santiago de CubaPlace a Bid" >
Laurence Salzmann: Blue Aegean
2012, three archival pigment prints on canvas, signed verso
Image size: 10.75"x16" each
Sheet size: 13"x19"
($800–$1,200) — Minimum bid: $200
Accompanied by the exhibition catalogue Imagining Cutumba, Santiago de CubaPlace a Bid
($800–$1,200) — Minimum bid: $200
Accompanied by the exhibition catalogue Imagining Cutumba, Santiago de CubaPlace a Bid" >
Laurence Salzmann: Blue Aegean 2012, three archival pigment prints on canvas, signed verso
Image size: 10.75"x16" each
Sheet size: 13"x19"
($800–$1,200) — Minimum bid: $200
Accompanied by the exhibition catalogue Imagining Cutumba, Santiago de CubaPlace a Bid
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid" >
Al Satterwhite: Rockefeller Center Ice Rink
1992, archival pigment print, signed recto
Image size: 7"x7"
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid" >
Al Satterwhite: Rockefeller Center Ice Rink1992, archival pigment print, signed recto
Image size: 7"x7"
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid" >
Al Satterwhite: The Twin Towers
1981, archival pigment print, signed recto
Image size: 7"x7"
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid" >
Al Satterwhite: The Twin Towers1981, archival pigment print, signed recto
Image size: 7"x7"
Sheet size: 10"x8"
($300–$600) — Minimum bid: $250
from a forthcoming book, "Round New York"Place a Bid
Sheet size: 5.75"x7.5"
($300–$600) — Minimum bid: $150
Charles Roscoe Savage (August 16, 1832 – February 4, 1909) was a British-born landscape and portrait photographer who produced images of the American West. He is best known for his 1869 photographs of the linking of the first transcontinental railroad.Place a Bid" >
C E Savage (?): Untitled (Western Landscape)
c. 1880s, albumen print, mounted, pl. 40 in negative
Image size: 5.75"x7.5"
Sheet size: 5.75"x7.5"
($300–$600) — Minimum bid: $150
Charles Roscoe Savage (August 16, 1832 – February 4, 1909) was a British-born landscape and portrait photographer who produced images of the American West. He is best known for his 1869 photographs of the linking of the first transcontinental railroad.Place a Bid
($300–$600) — Minimum bid: $150
Charles Roscoe Savage (August 16, 1832 – February 4, 1909) was a British-born landscape and portrait photographer who produced images of the American West. He is best known for his 1869 photographs of the linking of the first transcontinental railroad.Place a Bid" >
C E Savage (?): Untitled (Western Landscape)c. 1880s, albumen print, mounted, pl. 40 in negative
Image size: 5.75"x7.5"
Sheet size: 5.75"x7.5"
($300–$600) — Minimum bid: $150
Charles Roscoe Savage (August 16, 1832 – February 4, 1909) was a British-born landscape and portrait photographer who produced images of the American West. He is best known for his 1869 photographs of the linking of the first transcontinental railroad.Place a Bid
Sheet size: 20"x24"
($1,000–$2,000)
Lynn Saville's monograph Vacancy to be published by Damiani in Fall of 2015Place a Bid" >
Lynn Saville: Corner, Brooklyn, NY
2014, digital Lambda print , signed verso
Image size: 16.5"x22"
Sheet size: 20"x24"
($1,000–$2,000)
Lynn Saville's monograph Vacancy to be published by Damiani in Fall of 2015Place a Bid
($1,000–$2,000)
Lynn Saville's monograph Vacancy to be published by Damiani in Fall of 2015Place a Bid" >
Lynn Saville: Corner, Brooklyn, NY 2014, digital Lambda print , signed verso
Image size: 16.5"x22"
Sheet size: 20"x24"
($1,000–$2,000)
Lynn Saville's monograph Vacancy to be published by Damiani in Fall of 2015Place a Bid
Sheet size: 11"x14"
($600–$800)" >
SOLD!Charles Schenk: Study of Woman's Hands
c.1905, gelatin silver print, pl. 6 in negative
Image size: 10"x13"
Sheet size: 11"x14"
($600–$800)
($600–$800)" >
SOLD!Charles Schenk: Study of Woman's Handsc.1905, gelatin silver print, pl. 6 in negative
Image size: 10"x13"
Sheet size: 11"x14"
($600–$800)
Sheet size: 19.625"x13"
($600–$800)" >
SOLD!Charles Schenk: Study of Woman's Hands
c.1905, gelatin silver print
Image size: 13.75"x10.5"
Sheet size: 19.625"x13"
($600–$800)
($600–$800)" >
SOLD!Charles Schenk: Study of Woman's Handsc.1905, gelatin silver print
Image size: 13.75"x10.5"
Sheet size: 19.625"x13"
($600–$800)
Sheet size: 8"x10"
($700–$1,400)
Gold Chloride toned Solio (exposed in sunlight) contact print, using Kodak Studio Proof “printing out” paper, now obsolete. Image becomes visible during exposure to sunlight, then is bathed in gold chloride solution which creates the warm brown tones. All figures in these montage-like still life compositions known as “Illusory Arrangements” were torn out of Schoenfeld’s earlier made figure studies. This is a rare print. Only several exist. In 1977, Illusory Arrangements by Diana Schoenfeld was published as a limited edition original print artist’s book by G. Ray Hawkins Gallery, Los Angeles, CA. The small book contains 15 miniature (3 1/8” x 4 3/16”) gold chloride toned solio contact prints. Because “Female Figure with Leaves and Stones” is an 8"x 10" negative, it was not included in the Illusory Arrangements book. Illusory Arrangements, including “Female Figure with Leaves and Stones,” were exhibited at the following venues:
• Cameraworks Soho Photo Galleries, Los Angeles 1975, where they were reviewed by Henry Seldis (Los Angeles Times, Feb. 20, 1975) as “evocative . . . the female figure presented as part of a greater mystical naturalism.”
• Lampkin Camerawork Gallery, Fairfax, CA
• “Women’s Photography Invitational.” Artemesia Gallery, Northwestern Univ., Evanston, Il, 1975
• “Photo-Collage.” University of Oregon, Eugene, OR, 1977
• “Interior Spaces.” University of California, Davis, 1978 (catalogue)
• “Rhythmic/Illusory/TransitoryArrangements.”Brindl Gallery, Camden, Maine, 1982
• “Schoenfeld Still-Life: Selections, 1973-84.“ Art Museum, University of Oregon, Eugene, 1990
• “Image and Process.” Solomon-Dubnick Gallery, Sacramento, CA, 1994
• “The Eye of the Beholder.” Avon Collection. International Center of Photography, NYC, 1997
• Landscape and Memory. Photographs by Diana Schoenfeld. Exhibition and illustrated brochure produced by First Street Gallery, Eureka CA, 1999. " >
SOLD!Diana Schoenfeld: Illusory Arrangement: Female Figure with Leaves and Stones
1973, gold chloride toned Solio (exposed in sunlight) contact print, signed verso and recto
Image size: 8"x10"
Sheet size: 8"x10"
($700–$1,400)
Gold Chloride toned Solio (exposed in sunlight) contact print, using Kodak Studio Proof “printing out” paper, now obsolete. Image becomes visible during exposure to sunlight, then is bathed in gold chloride solution which creates the warm brown tones. All figures in these montage-like still life compositions known as “Illusory Arrangements” were torn out of Schoenfeld’s earlier made figure studies. This is a rare print. Only several exist. In 1977, Illusory Arrangements by Diana Schoenfeld was published as a limited edition original print artist’s book by G. Ray Hawkins Gallery, Los Angeles, CA. The small book contains 15 miniature (3 1/8” x 4 3/16”) gold chloride toned solio contact prints. Because “Female Figure with Leaves and Stones” is an 8"x 10" negative, it was not included in the Illusory Arrangements book. Illusory Arrangements, including “Female Figure with Leaves and Stones,” were exhibited at the following venues:
• Cameraworks Soho Photo Galleries, Los Angeles 1975, where they were reviewed by Henry Seldis (Los Angeles Times, Feb. 20, 1975) as “evocative . . . the female figure presented as part of a greater mystical naturalism.”
• Lampkin Camerawork Gallery, Fairfax, CA
• “Women’s Photography Invitational.” Artemesia Gallery, Northwestern Univ., Evanston, Il, 1975
• “Photo-Collage.” University of Oregon, Eugene, OR, 1977
• “Interior Spaces.” University of California, Davis, 1978 (catalogue)
• “Rhythmic/Illusory/TransitoryArrangements.”Brindl Gallery, Camden, Maine, 1982
• “Schoenfeld Still-Life: Selections, 1973-84.“ Art Museum, University of Oregon, Eugene, 1990
• “Image and Process.” Solomon-Dubnick Gallery, Sacramento, CA, 1994
• “The Eye of the Beholder.” Avon Collection. International Center of Photography, NYC, 1997
• Landscape and Memory. Photographs by Diana Schoenfeld. Exhibition and illustrated brochure produced by First Street Gallery, Eureka CA, 1999.
($700–$1,400)
Gold Chloride toned Solio (exposed in sunlight) contact print, using Kodak Studio Proof “printing out” paper, now obsolete. Image becomes visible during exposure to sunlight, then is bathed in gold chloride solution which creates the warm brown tones. All figures in these montage-like still life compositions known as “Illusory Arrangements” were torn out of Schoenfeld’s earlier made figure studies. This is a rare print. Only several exist. In 1977, Illusory Arrangements by Diana Schoenfeld was published as a limited edition original print artist’s book by G. Ray Hawkins Gallery, Los Angeles, CA. The small book contains 15 miniature (3 1/8” x 4 3/16”) gold chloride toned solio contact prints. Because “Female Figure with Leaves and Stones” is an 8"x 10" negative, it was not included in the Illusory Arrangements book. Illusory Arrangements, including “Female Figure with Leaves and Stones,” were exhibited at the following venues:
• Cameraworks Soho Photo Galleries, Los Angeles 1975, where they were reviewed by Henry Seldis (Los Angeles Times, Feb. 20, 1975) as “evocative . . . the female figure presented as part of a greater mystical naturalism.”
• Lampkin Camerawork Gallery, Fairfax, CA
• “Women’s Photography Invitational.” Artemesia Gallery, Northwestern Univ., Evanston, Il, 1975
• “Photo-Collage.” University of Oregon, Eugene, OR, 1977
• “Interior Spaces.” University of California, Davis, 1978 (catalogue)
• “Rhythmic/Illusory/TransitoryArrangements.”Brindl Gallery, Camden, Maine, 1982
• “Schoenfeld Still-Life: Selections, 1973-84.“ Art Museum, University of Oregon, Eugene, 1990
• “Image and Process.” Solomon-Dubnick Gallery, Sacramento, CA, 1994
• “The Eye of the Beholder.” Avon Collection. International Center of Photography, NYC, 1997
• Landscape and Memory. Photographs by Diana Schoenfeld. Exhibition and illustrated brochure produced by First Street Gallery, Eureka CA, 1999. " >
SOLD!Diana Schoenfeld: Illusory Arrangement: Female Figure with Leaves and Stones1973, gold chloride toned Solio (exposed in sunlight) contact print, signed verso and recto
Image size: 8"x10"
Sheet size: 8"x10"
($700–$1,400)
Gold Chloride toned Solio (exposed in sunlight) contact print, using Kodak Studio Proof “printing out” paper, now obsolete. Image becomes visible during exposure to sunlight, then is bathed in gold chloride solution which creates the warm brown tones. All figures in these montage-like still life compositions known as “Illusory Arrangements” were torn out of Schoenfeld’s earlier made figure studies. This is a rare print. Only several exist. In 1977, Illusory Arrangements by Diana Schoenfeld was published as a limited edition original print artist’s book by G. Ray Hawkins Gallery, Los Angeles, CA. The small book contains 15 miniature (3 1/8” x 4 3/16”) gold chloride toned solio contact prints. Because “Female Figure with Leaves and Stones” is an 8"x 10" negative, it was not included in the Illusory Arrangements book. Illusory Arrangements, including “Female Figure with Leaves and Stones,” were exhibited at the following venues:
• Cameraworks Soho Photo Galleries, Los Angeles 1975, where they were reviewed by Henry Seldis (Los Angeles Times, Feb. 20, 1975) as “evocative . . . the female figure presented as part of a greater mystical naturalism.”
• Lampkin Camerawork Gallery, Fairfax, CA
• “Women’s Photography Invitational.” Artemesia Gallery, Northwestern Univ., Evanston, Il, 1975
• “Photo-Collage.” University of Oregon, Eugene, OR, 1977
• “Interior Spaces.” University of California, Davis, 1978 (catalogue)
• “Rhythmic/Illusory/TransitoryArrangements.”Brindl Gallery, Camden, Maine, 1982
• “Schoenfeld Still-Life: Selections, 1973-84.“ Art Museum, University of Oregon, Eugene, 1990
• “Image and Process.” Solomon-Dubnick Gallery, Sacramento, CA, 1994
• “The Eye of the Beholder.” Avon Collection. International Center of Photography, NYC, 1997
• Landscape and Memory. Photographs by Diana Schoenfeld. Exhibition and illustrated brochure produced by First Street Gallery, Eureka CA, 1999.
Sheet size: 20"x24" (Courtesy the Tartt Gallery)
($2,000–$4,000) — Minimum bid: $500Place a Bid" >
Gundula Schulze: Dresden
c. 1989, chromogenic print, signed verso
Image size: 15.5"x23.25"
Sheet size: 20"x24" (Courtesy the Tartt Gallery)
($2,000–$4,000) — Minimum bid: $500Place a Bid
($2,000–$4,000) — Minimum bid: $500Place a Bid" >
Gundula Schulze: Dresdenc. 1989, chromogenic print, signed verso
Image size: 15.5"x23.25"
Sheet size: 20"x24" (Courtesy the Tartt Gallery)
($2,000–$4,000) — Minimum bid: $500Place a Bid
Sheet size: mounted on card, 7.75"x5.75"
($400–$750)Place a Bid" >
Schutte Studio, Baltimore, MD: Conjurer
ND, silver print
Image size: 5.5"x4"
Sheet size: mounted on card, 7.75"x5.75"
($400–$750)Place a Bid
($400–$750)Place a Bid" >
Schutte Studio, Baltimore, MD: ConjurerND, silver print
Image size: 5.5"x4"
Sheet size: mounted on card, 7.75"x5.75"
($400–$750)Place a Bid
Sheet size: 14.75"x10.5"
($500–$800) — Minimum bid: $250Place a Bid" >
Vincent Serbin: Final Fugue
1979, silver print, signed and dated recto
Image size: 13.75"x9.5"
Sheet size: 14.75"x10.5"
($500–$800) — Minimum bid: $250Place a Bid
($500–$800) — Minimum bid: $250Place a Bid" >
Vincent Serbin: Final Fugue1979, silver print, signed and dated recto
Image size: 13.75"x9.5"
Sheet size: 14.75"x10.5"
($500–$800) — Minimum bid: $250Place a Bid
Sheet size: 13.25"x9.5"
($500–$800)Place a Bid" >
Vincent Serbin: The Fiddler
1980, silver print, signed and dated recto
Image size: 12"x8"
Sheet size: 13.25"x9.5"
($500–$800)Place a Bid
($500–$800)Place a Bid" >
Vincent Serbin: The Fiddler1980, silver print, signed and dated recto
Image size: 12"x8"
Sheet size: 13.25"x9.5"
($500–$800)Place a Bid
Sheet size: 14"x19.5"
($500–$800) — Minimum bid: $250Place a Bid" >
Vincent Serbin: Untitled
1976, silver print, signed and dated recto
Image size: 12"x18"
Sheet size: 14"x19.5"
($500–$800) — Minimum bid: $250Place a Bid
($500–$800) — Minimum bid: $250Place a Bid" >
Vincent Serbin: Untitled 1976, silver print, signed and dated recto
Image size: 12"x18"
Sheet size: 14"x19.5"
($500–$800) — Minimum bid: $250Place a Bid
Sheet size: 13"x19"
($400–$800) — Minimum bid: $150Place a Bid" >
Raphael Shammaa: From Parker’s Window
2014, archival pigment print, signature card with print
Image size: 12"x18"
Sheet size: 13"x19"
($400–$800) — Minimum bid: $150Place a Bid
($400–$800) — Minimum bid: $150Place a Bid" >
Raphael Shammaa: From Parker’s Window2014, archival pigment print, signature card with print
Image size: 12"x18"
Sheet size: 13"x19"
($400–$800) — Minimum bid: $150Place a Bid
Sheet size: 17"x23"
($350–$700)
Included in "Of Memory, Bone, and Myth," Rourke Art Museum, Moorhead, MN, and "The Art of Photography Show," San Diego, CA where it received 3rd place. It is in the collection of the Portland Art Museum of Art, Portland, OR. Place a Bid" >
Keith Sharp: Curtain Call
2012, archival pigment print, signed recto
Image size: 11.5"x17.5"
Sheet size: 17"x23"
($350–$700)
Included in "Of Memory, Bone, and Myth," Rourke Art Museum, Moorhead, MN, and "The Art of Photography Show," San Diego, CA where it received 3rd place. It is in the collection of the Portland Art Museum of Art, Portland, OR. Place a Bid
($350–$700)
Included in "Of Memory, Bone, and Myth," Rourke Art Museum, Moorhead, MN, and "The Art of Photography Show," San Diego, CA where it received 3rd place. It is in the collection of the Portland Art Museum of Art, Portland, OR. Place a Bid" >
Keith Sharp: Curtain Call2012, archival pigment print, signed recto
Image size: 11.5"x17.5"
Sheet size: 17"x23"
($350–$700)
Included in "Of Memory, Bone, and Myth," Rourke Art Museum, Moorhead, MN, and "The Art of Photography Show," San Diego, CA where it received 3rd place. It is in the collection of the Portland Art Museum of Art, Portland, OR. Place a Bid
($450–$900)Place a Bid" >
Bruce Sheftel: Intimate
Fuji Crystal Archive print, signed verso
Image size: 12"x18"
($450–$900)Place a Bid
Bruce Sheftel: IntimateFuji Crystal Archive print, signed verso
Image size: 12"x18"
($450–$900)Place a Bid
Sheet size: 24"x17.5"
($600–$1,000) — Minimum bid: $450Place a Bid" >
Thomas John Shillea: S.B. Queen of Sorrow #6
2013, digital pigment print , signed verso
Image size: 16"x11"
Sheet size: 24"x17.5"
($600–$1,000) — Minimum bid: $450Place a Bid
($600–$1,000) — Minimum bid: $450Place a Bid" >
Thomas John Shillea: S.B. Queen of Sorrow #62013, digital pigment print , signed verso
Image size: 16"x11"
Sheet size: 24"x17.5"
($600–$1,000) — Minimum bid: $450Place a Bid