Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
Dennis Farber: Unittled (boy and cat)
1980s?, Polaroid print, signed verso. Image size: 29″ x 22″, sheet size: 29″ x 22″ ($1,200–$2,500) Final Price: $600
Dennis Farber was an American painter, photographer, and teacher. Born on March 8, 1946 in Pittsburgh, PA, he received a BA from Trinity College, Hartford, CT in 1968 and an MFA from The Claremont Graduate School, Claremont, CA in 1975. He died in Baltimore, MD on May 8, 2017.
In a 40-year career Farber’s work covers a broad range, from abstract paintings to manipulated images to large format 20” x 24” Polaroid prints to Inkjet painted photographs. His pieces are in the permanent collections of the Museum of Modern Art, the Los Angeles County Museum of Art, The Baltimore Museum of Art, the Brooklyn Museum, the Carnegie Museum of Art in Pittsburgh, the International Center of Photography in New York, the Jewish Museum in New York, the Tokyo Metropolitan Museum of Photography, and numerous others.
Farber’s photographic work was part of photography’s expanding boundaries in the 1970’s and 80’s. He participated in Polaroid Corporation’s Artist Support Program, utilizing pictures from his collages of found images and re-photographing them on the 20 x 24 Polaroid camera. In 1992 his large format Polaroids were showcased in MoMA’s “New Photography 8” exhibit. That same year his work was one of six contemporary artists’ works in The Jewish Museum’s widely traveled exhibit, “Bridges and Boundaries, African Americans and American Jews.” In 2000 the work appeared in “OPEN ENDS, Innocence and Experience,” The Museum of Modern Art’s millennial exhibit.
In 1987 Farber was a recipient New York Foundation for the Arts Grant. He was also awarded a National Endowment for the Arts Grant in 1995 and a Mid-Atlantic Council for the Arts Grant in 2005.
Farber was also an influential teacher, at both undergraduate and graduate levels at the University of New Mexico in Albuquerque (1993 – 1998), and the Maryland Institute College of Art in Baltimore (1998-2016). He also directed MICA’s Mount Royal Graduate School of Art, 2000 – 2004. He served as an Associate Dean at both the University of New Mexico and at MICA.
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1980s?, Polaroid print, signed verso. Image size: 29″ x 22″, sheet size: 29″ x 22″ ($1,200–$2,500) Final Price: $600
Dennis Farber was an American painter, photographer, and teacher. Born on March 8, 1946 in Pittsburgh, PA, he received a BA from Trinity College, Hartford, CT in 1968 and an MFA from The Claremont Graduate School, Claremont, CA in 1975. He died in Baltimore, MD on May 8, 2017.
In a 40-year career Farber’s work covers a broad range, from abstract paintings to manipulated images to large format 20” x 24” Polaroid prints to Inkjet painted photographs. His pieces are in the permanent collections of the Museum of Modern Art, the Los Angeles County Museum of Art, The Baltimore Museum of Art, the Brooklyn Museum, the Carnegie Museum of Art in Pittsburgh, the International Center of Photography in New York, the Jewish Museum in New York, the Tokyo Metropolitan Museum of Photography, and numerous others.
Farber’s photographic work was part of photography’s expanding boundaries in the 1970’s and 80’s. He participated in Polaroid Corporation’s Artist Support Program, utilizing pictures from his collages of found images and re-photographing them on the 20 x 24 Polaroid camera. In 1992 his large format Polaroids were showcased in MoMA’s “New Photography 8” exhibit. That same year his work was one of six contemporary artists’ works in The Jewish Museum’s widely traveled exhibit, “Bridges and Boundaries, African Americans and American Jews.” In 2000 the work appeared in “OPEN ENDS, Innocence and Experience,” The Museum of Modern Art’s millennial exhibit.
In 1987 Farber was a recipient New York Foundation for the Arts Grant. He was also awarded a National Endowment for the Arts Grant in 1995 and a Mid-Atlantic Council for the Arts Grant in 2005.
Farber was also an influential teacher, at both undergraduate and graduate levels at the University of New Mexico in Albuquerque (1993 – 1998), and the Maryland Institute College of Art in Baltimore (1998-2016). He also directed MICA’s Mount Royal Graduate School of Art, 2000 – 2004. He served as an Associate Dean at both the University of New Mexico and at MICA.
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Louis Faurer: Homage to Muybridge, Philadelphia, PA
1941/1991, silver gelatin print, #12/16, signed and editioned, verso and recto. Image size: 9″x12.125″, sheet size: 9.685″x13.875″ ($3,000–$5,000) Final Price: $2,000
Courtesy Deborah Bell Photographs.
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1941/1991, silver gelatin print, #12/16, signed and editioned, verso and recto. Image size: 9″x12.125″, sheet size: 9.685″x13.875″ ($3,000–$5,000) Final Price: $2,000
Courtesy Deborah Bell Photographs.
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Louis Faurer: Homage to Muybridge, Philadelphia, PA back
Larry Fink: First Communion
1962/later, archival pigment print, signed, titled, and dated verso. Image size: 14.75″ x 19″, sheet size: 17″ x 22″ ($6,000–$10,000) Final Price: $4,000
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1962/later, archival pigment print, signed, titled, and dated verso. Image size: 14.75″ x 19″, sheet size: 17″ x 22″ ($6,000–$10,000) Final Price: $4,000
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Neil Folberg: Starry Grove
1999, silver print, ed. 23/49, signed, numbered, and dated verso. Image size: 9.875″ x 12.5″, sheet size: 11.8125″ x 15.5″ ($1,500–$3,000) Final Price: $750
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1999, silver print, ed. 23/49, signed, numbered, and dated verso. Image size: 9.875″ x 12.5″, sheet size: 11.8125″ x 15.5″ ($1,500–$3,000) Final Price: $750
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Godfrey Frankel: NYC W 22nd St Grillwork
1947, gelatin silver print, signed, titled, dated on verso. Image size: 10.25″ x 11.25″, sheet size: 11″ x 12.5″ ($450–$900) Final Price: $200
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1947, gelatin silver print, signed, titled, dated on verso. Image size: 10.25″ x 11.25″, sheet size: 11″ x 12.5″ ($450–$900) Final Price: $200
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Godfrey Frankel: NYC W 22nd St Grillwork back
Joy Goldkind: Clothing #10
2004, bromoil print from a wet plate negative, ed. 2/2, signed and dated on mount. Image size: 6.5″x4.5″, sheet size: 9.5″x7.375″ ($500–$900) Final Price: $250
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2004, bromoil print from a wet plate negative, ed. 2/2, signed and dated on mount. Image size: 6.5″x4.5″, sheet size: 9.5″x7.375″ ($500–$900) Final Price: $250
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Tom Goodman: Untitled
2023, archival pigment print, signed and dated with paper type verso. Image size: 12″ x 18″, sheet size: 13″ x 19″ ($500–$1,000) Final Price: $250
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2023, archival pigment print, signed and dated with paper type verso. Image size: 12″ x 18″, sheet size: 13″ x 19″ ($500–$1,000) Final Price: $250
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David Graham: 1957 Chevy, Bensalem, PA
2008, digital C-print, signed, titled, and dated verso. Image size: 9″ x 13.5″, sheet size: 11″ x 14″ ($600–$1,200) Final Price: $200
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2008, digital C-print, signed, titled, and dated verso. Image size: 9″ x 13.5″, sheet size: 11″ x 14″ ($600–$1,200) Final Price: $200
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George P. Hall: Spanish American War Parade at City Hall
Neg. Date: 1898 Print Date: 1999 (modern print of original image), gelatin silver print. Image size: 11″ x 18″, sheet size: 20″ x 15.875″ ($100–$200) Final Price: $50
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Neg. Date: 1898 Print Date: 1999 (modern print of original image), gelatin silver print. Image size: 11″ x 18″, sheet size: 20″ x 15.875″ ($100–$200) Final Price: $50
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Margo L. Hamilton: Blue Night — Haarlem, Netherlands
2011, archival pigment print, signed, titled, and dated recto. Image size: 15.5″ x 10.25″, sheet size: 19″ x 13″ ($300–$600) Final Price: $100
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2011, archival pigment print, signed, titled, and dated recto. Image size: 15.5″ x 10.25″, sheet size: 19″ x 13″ ($300–$600) Final Price: $100
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Jefferson Hayman: Blurry Swimmers
2014, ed. 4/9, signed recto. Image size: 11″x7.375″, sheet size: 13″x9.375″ ($600–$1,200) Final Price: $300
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2014, ed. 4/9, signed recto. Image size: 11″x7.375″, sheet size: 13″x9.375″ ($600–$1,200) Final Price: $300
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Béatrice Helg: Envol II
1993, Cibachrome print, ed. 4/8. Image size: 22.25” x 17.125”, sheet size: framed 23.5” x 18.5″ ($1,000–$2,000) Final Price: $500
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1993, Cibachrome print, ed. 4/8. Image size: 22.25” x 17.125”, sheet size: framed 23.5” x 18.5″ ($1,000–$2,000) Final Price: $500
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Yuichi Hibi (b. 1964, Japanese): For Rent
1999, gelatin silver print, signed, titled and dated in pencil on print verso. Image size: 13.125″ x 8.375″, sheet size: 13.125″ x 8.375″ ($1,500–$2,500) Final Price: $1,000
Illustrated: Hibi, Yuichi. Imprint. Nazraeli Press, 2005, p. 54.
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1999, gelatin silver print, signed, titled and dated in pencil on print verso. Image size: 13.125″ x 8.375″, sheet size: 13.125″ x 8.375″ ($1,500–$2,500) Final Price: $1,000
Illustrated: Hibi, Yuichi. Imprint. Nazraeli Press, 2005, p. 54.
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Robert Hirsch: Blow-Up from The Sixties Cubed, a Counter Culture of Images
2022, archival pigment print, ed. 1/1, signed, dated, and numbered on verso. Image size: 14.25″ x 20.875″, sheet size: 16.5″ x 22″ ($250–$500) Final Price: $100
Exhibited in The Sixties Cubed, a Counter Culture of Images at CEPA Gallery, Indigo Gallery, and Weeks Gallery.
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2022, archival pigment print, ed. 1/1, signed, dated, and numbered on verso. Image size: 14.25″ x 20.875″, sheet size: 16.5″ x 22″ ($250–$500) Final Price: $100
Exhibited in The Sixties Cubed, a Counter Culture of Images at CEPA Gallery, Indigo Gallery, and Weeks Gallery.
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Jeffrey Holder: FALL: or The Passing of One’s Memories
2019, archival pigment print collage, ed. 4/20, signed, dated, and numbered verso. Image size: 16″ x 34″, sheet size: 16″ x 34″ ($700–$1,400) Final Price: $350
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2019, archival pigment print collage, ed. 4/20, signed, dated, and numbered verso. Image size: 16″ x 34″, sheet size: 16″ x 34″ ($700–$1,400) Final Price: $350
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Walter Holt: Kona Low
2018/2022, archival pigment print, signed and titled on mat. Image size: 16″ x 11.5″, sheet size: 13″ x 19″ ($200–$400) Final Price: $100
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2018/2022, archival pigment print, signed and titled on mat. Image size: 16″ x 11.5″, sheet size: 13″ x 19″ ($200–$400) Final Price: $100
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Kay Kenny: Moonrise, Woodstock, NY
2018, archival pigment print, ed. 10, signed verso. Image size: 10″ x 15″, sheet size: 16″ x 20″ ($250–$500) Final Price: $120
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2018, archival pigment print, ed. 10, signed verso. Image size: 10″ x 15″, sheet size: 16″ x 20″ ($250–$500) Final Price: $120
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Richard Kent: Psychic, Sunday Night, Hightstown, NJ, from the series American Neighborhoods
2022/2023, archival pigment print, ed. 2/15, signed, titled, dated, and numbered verso. Image size: 7.8″ x 9.75″, sheet size: 8.5″ x 11″ ($200–$400) Final Price: $100
This image has been shown in Resurgence: The F&M Art, Art History, and Film Department Biennial, Phillips Museum of Art (2022) and in American Landscapes, Circle Gallery, Maryland Federation of Art (2023).
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2022/2023, archival pigment print, ed. 2/15, signed, titled, dated, and numbered verso. Image size: 7.8″ x 9.75″, sheet size: 8.5″ x 11″ ($200–$400) Final Price: $100
This image has been shown in Resurgence: The F&M Art, Art History, and Film Department Biennial, Phillips Museum of Art (2022) and in American Landscapes, Circle Gallery, Maryland Federation of Art (2023).
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Willy Kessels: Standing Female Nude
c. 1930s, silver print on carte postal stock, unmounted, with photographer’s blindstamp on the bottom right recto and his blue ink stamp on the verso.. Image size: 4-7/8″ x 3″, sheet size: 5-1/2″ x 3-1/2″ ($400 – $750) Final Price: $350
Willy Kessels was born in Termonde, Belgium, in January 1898. After completing the Ecole des Beaux Arts of Gent, he went to Brussels and during the 1920s worked there as a sculptor and architectural draftsman. He met Le Corbusier in 1928.
He began his photographic career in 1929, considering this as a logical next step to his previous work. He saw in photography a modern means of representing the world.
Kessels was very active during the 1920’s and 30s, contracting to photograph industrial installations and advertising campaigns. His photo-montages, aerial views, angles and his work with light, illustrate the modern tendency of Belgian photography, which remained heavily influenced by Pictorialism. He is perhaps best known though for his nudes.
Kessels died in 1974.
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c. 1930s, silver print on carte postal stock, unmounted, with photographer’s blindstamp on the bottom right recto and his blue ink stamp on the verso.. Image size: 4-7/8″ x 3″, sheet size: 5-1/2″ x 3-1/2″ ($400 – $750) Final Price: $350
Willy Kessels was born in Termonde, Belgium, in January 1898. After completing the Ecole des Beaux Arts of Gent, he went to Brussels and during the 1920s worked there as a sculptor and architectural draftsman. He met Le Corbusier in 1928.
He began his photographic career in 1929, considering this as a logical next step to his previous work. He saw in photography a modern means of representing the world.
Kessels was very active during the 1920’s and 30s, contracting to photograph industrial installations and advertising campaigns. His photo-montages, aerial views, angles and his work with light, illustrate the modern tendency of Belgian photography, which remained heavily influenced by Pictorialism. He is perhaps best known though for his nudes.
Kessels died in 1974.
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