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2024 Competition – Still Life

Signs of Life
Trees
Richard Aardsma
Grandville, Michigan
Still Life
Archival pigment print, 16" x 21"
Laurence Bach
Philadelphia, Pennsylvania
Midnight#15.2020
Inkjet on canvas, 30" x 30"
Pok Kwan Chiu
Shanghai, China
onlyabowl.com
@Onlyabowl
Buried Indecomposables, 2024
Archival pigment print, 13" x 11" (Ice crafted by Alan Chan.)
Christine Scavotto
St. Louis, Missouri
scavottophotography.com
Fragments, 2021
Archival pigment print, 20" x 14"
Malcolm Easton
Berkeley, California
www.easton.photo
Gardener's Dream
Archival pigment print, 18" x 12"
Beth Galton
NYC, New York
London Plane Tree #6
Archival pigment print, 20" x 16"
Dilmar Mauricio Gamero Santos
Philadelphia, Pennsylvania
www.dilmargamero.com
@dilmar.mauricio
Feme Sole (18th-Century Stories), 2022
Photographic collage stitched on canvas, 48" x 36"
Jo Ann Wanamaker
New York, New York
jowanamaker@gmail.com
www.joannwanamaker.com
@joannwanamaker
Daily Dose, 2022
Archival pigment print, 12" x 18"
Mary Ellen Gubanic
Pittsburgh, Pennsylvania
Kitchen Tableau, 2024
Archival pigment print, 12" x 16"
Frazier King
Houston, Texas
Pride from The Seven Deadly Sins series
Archival pigment print, 14" x 21"
Lee Musgrave
White Salmon, Washington
www.leemusgrave.com
Duchampian Readymade Ice Box, 2019
Archival pigment print, 16" x 16"
Jacqueline Schletter
Okatie, South Carolina
www.jackieschletter.com
@lowcountry_nature
Left Behind, 2024
Archival pigment print, 16" x 20"
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The Photo Review is a critical journal of fine art photography, founded in 1976, that serves as a central resource for the Mid-Atlantic region and has an international readership. It produces a vital, high-quality publication that chronicles the rise of photography as a critical art medium, offering in-depth articles, interviews, and exhibition reviews.

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