Items are listed in alphabetical order by artist name. Click on the image to see a larger version. On a desktop, click on the magnifying glass to zoom in even more. To view the image at an even higher resolution or make an appointment for a preview, contact us at 215/891-0214 or auction@photoreview.org.
Frazier King: Lust
2022, archival pigment print, ed. 1/7, signed, titled and dated on verso. Image size: 14″ x 21″ , sheet size: 20″ x 24″ ($800–$1,600) Final Price: $400
From The Seven Deadly Sins series.
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2022, archival pigment print, ed. 1/7, signed, titled and dated on verso. Image size: 14″ x 21″ , sheet size: 20″ x 24″ ($800–$1,600) Final Price: $400
From The Seven Deadly Sins series.
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Les Krims: Untitled (man in gas mask)
1974, Kodalith print. Image size: 5.125″ x 7.625″, sheet size: 5.375″ x 7.875″ ($1,500–$3,000) Final Price: $800
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1974, Kodalith print. Image size: 5.125″ x 7.625″, sheet size: 5.375″ x 7.875″ ($1,500–$3,000) Final Price: $800
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Brian Lav: Tree Torso, Seattle, Washington
2016, silver print, signed, titled, dated, and numbered on mat. Image size: 11″ x 14″, sheet size: 16″ x 20″ ($600–$1,200) Final Price: $400
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2016, silver print, signed, titled, dated, and numbered on mat. Image size: 11″ x 14″, sheet size: 16″ x 20″ ($600–$1,200) Final Price: $400
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Brian Lav: White House, Augusta, South Carolina
2013, archival pigment print, ed. 25, signed verso. Image size: 10″x15″, sheet size: 16″x20″ ($300–$600) Final Price: $125
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2013, archival pigment print, ed. 25, signed verso. Image size: 10″x15″, sheet size: 16″x20″ ($300–$600) Final Price: $125
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David Lebe: Studio Window 0405
2021/2023, archival pigment print, signed, titled, numbered on verso. Image size: 16″ x 20″, sheet size: 17″ x 25″ ($1,200–$2,400) Final Price: $600
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2021/2023, archival pigment print, signed, titled, numbered on verso. Image size: 16″ x 20″, sheet size: 17″ x 25″ ($1,200–$2,400) Final Price: $600
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Rebecca Lepkoff: Broken WIndow, South Street, 1947
neg date: 1947, print date: Before 1965, gelatin silver print, signed, titled, and dated in margin on recto. Image size: 8″ x 7.625″, sheet size: 9.875″ x 8″ ($1,000–$2,000) Final Price: $750
Rebecca Lepkoff was a Photo-League photographer. A print of this image sold for $1,250 in 2020.
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neg date: 1947, print date: Before 1965, gelatin silver print, signed, titled, and dated in margin on recto. Image size: 8″ x 7.625″, sheet size: 9.875″ x 8″ ($1,000–$2,000) Final Price: $750
Rebecca Lepkoff was a Photo-League photographer. A print of this image sold for $1,250 in 2020.
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David Levinthal: Untitled (women and officer)
1993, Polaroid print, isigned dated, and nscribed “To Larry — with all my thanks”. Image size: 28″ x 21.75″, sheet size: 30″ x 21.75″ ($1,500–$3,000) Final Price: $800
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1993, Polaroid print, isigned dated, and nscribed “To Larry — with all my thanks”. Image size: 28″ x 21.75″, sheet size: 30″ x 21.75″ ($1,500–$3,000) Final Price: $800
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Edwin Hale Lincoln: Arethusa bulbosa, Arethusa
c. 1906, vintage platinum print, titled, date and Id’d on printed mount. Image size: 9.5″ x 7.5″, sheet size: 15″ x 13″ ($300–$600) Final Price: $200
Mounted on original printed card from Wildflowers of New England.
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c. 1906, vintage platinum print, titled, date and Id’d on printed mount. Image size: 9.5″ x 7.5″, sheet size: 15″ x 13″ ($300–$600) Final Price: $200
Mounted on original printed card from Wildflowers of New England.
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Richard Lorenz: Spathephyllum
c. 1982, silver print, unmounted. Image size: 15-1/2″ x 15-1/2″, sheet size: 17-11/16″ x 15-3/4″ ($900 – $2,000) Final Price: $700
References: Flower and pestal with sexual overtones. Signed “Richard Lorenz” on verso. Framed. Very rare, because Lorenz rarely made prints before he died in 2001.
Born August 28, 1952 in Pennsylvania, Richard A. Lorenz became a noted author, art conservator, curator, and artist. A 1974 graduate of Muhlenberg College in Allentown, PA, Lorenz received his M.A. degree with a certificate in Advanced Studies in Art Conservation granted by SUNY, State College at Oneonta, NY in 1977.
Lorenz was founder and director of the San Francisco Regional Art Conservation Center located in Oakland, CA, and a Fellow of the American Institute of Conservation for Artistic and Historic Works. As a trustee of The Imogen Cunningham Trust, Lorenz organized and curated exhibitions of Cunningham’s photographs. Lorenz authored four major books on Cunningham. He also authored a key monograph on the American photographer, Arthur Tress.
As an artist in his own right, Lorenz initially worked in painting and sculpture, before finally focusing on black and white photography, particularly nature studies of flowers.
He passed away in Berkeley, CA, on September 9, 2001.
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c. 1982, silver print, unmounted. Image size: 15-1/2″ x 15-1/2″, sheet size: 17-11/16″ x 15-3/4″ ($900 – $2,000) Final Price: $700
References: Flower and pestal with sexual overtones. Signed “Richard Lorenz” on verso. Framed. Very rare, because Lorenz rarely made prints before he died in 2001.
Born August 28, 1952 in Pennsylvania, Richard A. Lorenz became a noted author, art conservator, curator, and artist. A 1974 graduate of Muhlenberg College in Allentown, PA, Lorenz received his M.A. degree with a certificate in Advanced Studies in Art Conservation granted by SUNY, State College at Oneonta, NY in 1977.
Lorenz was founder and director of the San Francisco Regional Art Conservation Center located in Oakland, CA, and a Fellow of the American Institute of Conservation for Artistic and Historic Works. As a trustee of The Imogen Cunningham Trust, Lorenz organized and curated exhibitions of Cunningham’s photographs. Lorenz authored four major books on Cunningham. He also authored a key monograph on the American photographer, Arthur Tress.
As an artist in his own right, Lorenz initially worked in painting and sculpture, before finally focusing on black and white photography, particularly nature studies of flowers.
He passed away in Berkeley, CA, on September 9, 2001.
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Jenny Lynn: Black Swan from Little Rituals
1983/2002, silver print, signed verso. Image size: 12.25″x12.25″, sheet size: 20″x16″ ($1,400–$2,200) Final Price: $600
This image has been exhibited at the Katonah Museum of Art; Trout Gallery, Dickinson College; and at the Fleisher Art Memorial, Philadelphia.
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1983/2002, silver print, signed verso. Image size: 12.25″x12.25″, sheet size: 20″x16″ ($1,400–$2,200) Final Price: $600
This image has been exhibited at the Katonah Museum of Art; Trout Gallery, Dickinson College; and at the Fleisher Art Memorial, Philadelphia.
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Ben Marcin: The Scottish Highlands
2016, archival pigment print, signed verso. Image size: 11.5″x15.25″, sheet size: 13″x17.25″ ($400–$800) Final Price: $200
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2016, archival pigment print, signed verso. Image size: 11.5″x15.25″, sheet size: 13″x17.25″ ($400–$800) Final Price: $200
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Richard Margolis: RR Bridge across the Erie Canal, N. Tonawanda, NY
May 20, 1986, gelatin silver print, 2/100, signed, dated and titled on verso. Image size: 13.75″ x 17.75″, sheet size: 16″ x 20″ ($250–$500) Final Price: $150
Print made from Polaroid PN 55.
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May 20, 1986, gelatin silver print, 2/100, signed, dated and titled on verso. Image size: 13.75″ x 17.75″, sheet size: 16″ x 20″ ($250–$500) Final Price: $150
Print made from Polaroid PN 55.
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Susan Meiselas: My Body, My Rules. Inaugural Women’s March in Washington, D.C., 2017
2017, chromogenic print, signed, titled, and dated verso. Image size: 13″ x 8.625″, sheet size: 14″ x 11″ ($3,000–$5,000) Final Price: $2,500
“I took this picture just after President Trump was elected, when women descended on Washington to show solidarity in their resistance. Now, with the overturning of Roe v. Wade, this image once again speaks to the ongoing and all the more urgent struggle for women’s rights.” (© Susan Meiselas / Magnum Photos)
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2017, chromogenic print, signed, titled, and dated verso. Image size: 13″ x 8.625″, sheet size: 14″ x 11″ ($3,000–$5,000) Final Price: $2,500
“I took this picture just after President Trump was elected, when women descended on Washington to show solidarity in their resistance. Now, with the overturning of Roe v. Wade, this image once again speaks to the ongoing and all the more urgent struggle for women’s rights.” (© Susan Meiselas / Magnum Photos)
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Albert Monier: View of Paris and the Seine Showing Notre Dame’s Spire
c. 1950s, silver print, on original mount. Image size: 19-5/8″ x 15-1/2″, sheet size: 19-7/8″ x 15-5/8″ ($700 – $2000) Final Price: $500
This photograph came from a unique album of Monier’s work in oversized prints.
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c. 1950s, silver print, on original mount. Image size: 19-5/8″ x 15-1/2″, sheet size: 19-7/8″ x 15-5/8″ ($700 – $2000) Final Price: $500
This photograph came from a unique album of Monier’s work in oversized prints.
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Albert Monier: Bank of the Ilse Saint-Louis and the Pont Marie in the Distance, Paris
c. 1950s, silver print, on original mount. Image size: 17″ x 15-3/4″, sheet size: 19-1/4″ x 15 11/16″ ($700 – $2000) Final Price: $500
This photograph came from a unique album of Monier’s work in oversized prints.
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c. 1950s, silver print, on original mount. Image size: 17″ x 15-3/4″, sheet size: 19-1/4″ x 15 11/16″ ($700 – $2000) Final Price: $500
This photograph came from a unique album of Monier’s work in oversized prints.
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National Child Labor Committee: Untitled
1920s–1930s, 10 silver prints. Image size: 7.25″ x 11.625″, sheet size: 11″ x 14″ ($250–$500) Final Price: $200
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1920s–1930s, 10 silver prints. Image size: 7.25″ x 11.625″, sheet size: 11″ x 14″ ($250–$500) Final Price: $200
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David Herr Orbock: Bryant Park
2003, achival pigment print, signed and titled verso. Image size: 5.5″ x 22″, sheet size: 11″ x 26.5″ ($500–$1,000) Final Price: $250
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2003, achival pigment print, signed and titled verso. Image size: 5.5″ x 22″, sheet size: 11″ x 26.5″ ($500–$1,000) Final Price: $250
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Ivo Prikryl: Snowstorm in Chumelenice, Czech Republic
c. 1982, silver print, unmounted, photographer’s and salon stamps on verso, title in photographer’s hand on verso. Image size: 11″ x 15″, sheet size: 11″ x 15″ ($500 – $750) Final Price: $350
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c. 1982, silver print, unmounted, photographer’s and salon stamps on verso, title in photographer’s hand on verso. Image size: 11″ x 15″, sheet size: 11″ x 15″ ($500 – $750) Final Price: $350
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Louis Renault: Children, Peru
c. 1950s, silver print, unmounted. Image size: 10.25″ x 13.1875″, sheet size: 10.25″ x 13.1875″ ($500 – $750) Final Price: $350
Signed in pencil on verso of photograph.
Louis Renault (1915-1960) was a French photographer for Esquire, Coronet, Look and National Geographic magazines. He was active through the 1950s.
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c. 1950s, silver print, unmounted. Image size: 10.25″ x 13.1875″, sheet size: 10.25″ x 13.1875″ ($500 – $750) Final Price: $350
Signed in pencil on verso of photograph.
Louis Renault (1915-1960) was a French photographer for Esquire, Coronet, Look and National Geographic magazines. He was active through the 1950s.
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Lisa Robinson: Artery, from the series Snowbound
2007/2008, digital chromogenic print, ed. 1/15. Image size: 20” x 24”, sheet size: framed: 21” x 25” ($1,000–$2,000) Final Price: $500
Lisa M. Robinson is a photographic artist whose work explores geologic time and our human connections to the physical world. Using the natural world as her guide and the 4×5 camera as her means of discovery, she creates images that link the desert to the sea, and the external world to an inner landscape.
She received her BA in English from Columbia University (1990) and her MFA in Photography from the Savannah College of Art and Design (1999). Her first monograph, Snowbound, was published by Kehrer Verlag in 2007. A former printing assistant for George Tice, she has been the recipient of a Fulbright Grant in Argentina, a Sustainable Arts Foundation Grant, the Evelyn Stefansson Nef Fellowship at the MacDowell Colony, and numerous artist residencies including Light Work in Syracuse, New York. Robinson’s work is included in such permanent collections as the San Francisco Museum of Modern Art; Museum of Fine Arts, Houston; Museum of Photographic Arts, San Diego; Portland Museum of Art; and Nevada Museum of Art.
Born and raised in Savannah, Georgia, Robinson now calls Tucson, Arizona, home.
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2007/2008, digital chromogenic print, ed. 1/15. Image size: 20” x 24”, sheet size: framed: 21” x 25” ($1,000–$2,000) Final Price: $500
Lisa M. Robinson is a photographic artist whose work explores geologic time and our human connections to the physical world. Using the natural world as her guide and the 4×5 camera as her means of discovery, she creates images that link the desert to the sea, and the external world to an inner landscape.
She received her BA in English from Columbia University (1990) and her MFA in Photography from the Savannah College of Art and Design (1999). Her first monograph, Snowbound, was published by Kehrer Verlag in 2007. A former printing assistant for George Tice, she has been the recipient of a Fulbright Grant in Argentina, a Sustainable Arts Foundation Grant, the Evelyn Stefansson Nef Fellowship at the MacDowell Colony, and numerous artist residencies including Light Work in Syracuse, New York. Robinson’s work is included in such permanent collections as the San Francisco Museum of Modern Art; Museum of Fine Arts, Houston; Museum of Photographic Arts, San Diego; Portland Museum of Art; and Nevada Museum of Art.
Born and raised in Savannah, Georgia, Robinson now calls Tucson, Arizona, home.
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Arthur Rothstein: Oregon or Bust, Leaving South Dakota for a New Start in the Pacific Northwest
1936/later, silver print, titled and dated in pencil with “Arthur Rothstein Photograph from the collection of Grace Rothstein” stamp in ink on print verso. Image size: 6.375″x8.375″, sheet size: 7″x9″ ($1,500–$3,000) Final Price: $1,000
Courtesy of Howard Greenberg Gallery.
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1936/later, silver print, titled and dated in pencil with “Arthur Rothstein Photograph from the collection of Grace Rothstein” stamp in ink on print verso. Image size: 6.375″x8.375″, sheet size: 7″x9″ ($1,500–$3,000) Final Price: $1,000
Courtesy of Howard Greenberg Gallery.
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