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Joan Myers: Organ Pipe, AZ (Raven)
2024, archival pigment print, ed. 2/15, signed, titled, dated, and numbered verso. Image size: 22″ x 14.5″, sheet size: 25.5″ x 18″ ($800–$1,500)
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2024, archival pigment print, ed. 2/15, signed, titled, dated, and numbered verso. Image size: 22″ x 14.5″, sheet size: 25.5″ x 18″ ($800–$1,500)
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N D. Phot. (Etienne Neurdein): PARIS L’Arc de Triomphe
c. 1880, albumen print, No 157, title, and photographer credit reversed at bottom border of image. Image size: 8.25″ x 10.5″, sheet size: mount 14″ x 18″ ($200–$400)
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c. 1880, albumen print, No 157, title, and photographer credit reversed at bottom border of image. Image size: 8.25″ x 10.5″, sheet size: mount 14″ x 18″ ($200–$400)
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Bea Nettles: Quail Behind the Curtains
1979, Kwik Print on vinyl, unique, signed, titled, and dated recto. Image size: 10″ x 20″, sheet size: 20″ x 24″ ($3,000–$6,000)
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1979, Kwik Print on vinyl, unique, signed, titled, and dated recto. Image size: 10″ x 20″, sheet size: 20″ x 24″ ($3,000–$6,000)
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Will Hiroshi Oda & Lisa Oda: Fragmentary Recollections: III (Hand with Shell)
1986, handcolored platinum print, ed. 8/25, signed, numbered, and dated verso; hand-colored by Lisa Oda, with her initials verso. Image size: 6.75″ x 9.25″, sheet size: 20″ x 16″ ($350–$700)
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1986, handcolored platinum print, ed. 8/25, signed, numbered, and dated verso; hand-colored by Lisa Oda, with her initials verso. Image size: 6.75″ x 9.25″, sheet size: 20″ x 16″ ($350–$700)
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Will Hiroshi Oda & Lisa Oda: Surface / Decoration Series #II (Hanging shirt)
1984, handcolored platinum print, AP, signed, numbered, and dated verso; hand-colored by Lisa Oda, with her initials verso. Image size: 9.5″ x 7.5″, sheet size: 20″ x 16″ ($350–$700)
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1984, handcolored platinum print, AP, signed, numbered, and dated verso; hand-colored by Lisa Oda, with her initials verso. Image size: 9.5″ x 7.5″, sheet size: 20″ x 16″ ($350–$700)
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Bill Owens: Tomatoes, Brentwood, CA
1975 / c. 1975, silver print, signed, titled, and dated. Image size: 6.375″ x 8.375″, sheet size: 8″ x 10″ ($1,200–$2,000)
See: Bill Owens, Working: I do it for the money (Simon and Schuster, New York, 1977).
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1975 / c. 1975, silver print, signed, titled, and dated. Image size: 6.375″ x 8.375″, sheet size: 8″ x 10″ ($1,200–$2,000)
See: Bill Owens, Working: I do it for the money (Simon and Schuster, New York, 1977).
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Olivia Parker: Rhode Island Red Hits the Sack
c. 1980s, platinum print, signed and numbered on recto; hand-coated platinum metals; printed by John Marcy. Image size: 13.5″ x 10.25″, sheet size: 20″ x 16″ ($700–$1,400)
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c. 1980s, platinum print, signed and numbered on recto; hand-coated platinum metals; printed by John Marcy. Image size: 13.5″ x 10.25″, sheet size: 20″ x 16″ ($700–$1,400)
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Plate & Co.: Colombo Couple
ca. 1880s, albumen print. Image size: 8.25″ x 10.375″, sheet size: 8.25″ x 10.375″ ($600–$1,000)
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ca. 1880s, albumen print. Image size: 8.25″ x 10.375″, sheet size: 8.25″ x 10.375″ ($600–$1,000)
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Amie Potsic: Enchanted Forest 3
2015, archival pigment print, signed verso. Image size: 10″ x 17.75″, sheet size: 12″ x 24″ ($350–$700)
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2015, archival pigment print, signed verso. Image size: 10″ x 17.75″, sheet size: 12″ x 24″ ($350–$700)
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Edward W. Quigley: Circus Acrobat
c. 1940, silver print, artist’s credit stamp and negative number verso. Image size: 9.5″ x 7.5″, sheet size: 9.875″ x 7.875″ ($1,200–$1,800)
A wonderful shot of the performer in silhouette doing a handstand while balancing with a chair. It resembles an oriental ideogram.
Philadelphia-born Edward Quigley (January 3, 1898 – April 6, 1977) was a modernist photographer, who became known in the 1930s for his pioneering experiments with light abstractions and documentation of the Philadelphia area.
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c. 1940, silver print, artist’s credit stamp and negative number verso. Image size: 9.5″ x 7.5″, sheet size: 9.875″ x 7.875″ ($1,200–$1,800)
A wonderful shot of the performer in silhouette doing a handstand while balancing with a chair. It resembles an oriental ideogram.
Philadelphia-born Edward Quigley (January 3, 1898 – April 6, 1977) was a modernist photographer, who became known in the 1930s for his pioneering experiments with light abstractions and documentation of the Philadelphia area.
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Larry Racioppo: Esquire Theater, Brooklyn
1999, archival pigment print, ed. 1/5, signed, titled, dated, and numbered verso. Image size: 24″ x 30″, sheet size: ($500–$900)
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1999, archival pigment print, ed. 1/5, signed, titled, dated, and numbered verso. Image size: 24″ x 30″, sheet size: ($500–$900)
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James Bartlett Rich: Pennsylvania Landscape
c.1900, gelatin silver print. Image size: 5.25″ x 7.75″, sheet size: framed 14″ x 17″ ($2,000–$2,500)
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c.1900, gelatin silver print. Image size: 5.25″ x 7.75″, sheet size: framed 14″ x 17″ ($2,000–$2,500)
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Ildefonse Rousset: LeCoucher du Soleil
1865, albumen print from wet collodion negative, title and credit on mount recto. Image size: 4.875″ x 7.375″, sheet size: 9.5″ x 12.5″ original mount ($800–$1,600)
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1865, albumen print from wet collodion negative, title and credit on mount recto. Image size: 4.875″ x 7.375″, sheet size: 9.5″ x 12.5″ original mount ($800–$1,600)
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Ernestine Ruben: Two Nudes
1984, silver print, ed. 5/15, signed, titled, and dated verso. Image size: 12.25″ x 8.125″, sheet size: framed 20″ x 16″ ($750–$1,500)
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1984, silver print, ed. 5/15, signed, titled, and dated verso. Image size: 12.25″ x 8.125″, sheet size: framed 20″ x 16″ ($750–$1,500)
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Laurence Salzmann: Mioritza
1982, vintage chromogenic print, signed, titled, and dated recto. Image size: 6.25″ x 8.875″, sheet size: 8″ x 10″, framed 11.75″ x 14.5″ ($1,000–$2,000)
Born and raised in Philadelphia, Laurence Salzmann has been a photographer and filmmaker since the early 1960s. After studying film in Paris, Salzmann attended Temple University, where he completed a BA in German Literature (1965) and an MA in Anthropology (1971). His photographic work is deeply informed by his background in anthropology and in many of his long-term projects he documents the lives of little known ethnic or social groups, both in the United States and abroad.
In 1974 Salzmann traveled to Romania on a Fulbright grant and for the next two years he lived in the town of Radauti in the Bukovina region. During this time he photographed the members of the town’s dwindiling Jewish community and documented their cultural practices and vanishing way of life. 8000 Jews lived in the town in 1930, but their community was uprooted and largely wiped out by the Holocaust. Salzmann notes, ‘Six thousand Romanian Jews perished during World War II; some died in concentration camps in Transnistria, but most did not survive the initial hardships of deportation. At the end of the war, a few returned, only to find their homes gone and the life they had known swept away.’ When he himself arrived in Radauti in 1974 there were only 240 Jews remaining among the town’s population of 22,000, many of them part of an older generation. In 1983 Salzmann’s photographs were published as a book, The Last Jews of Radauti. He also made a complementary film, which was broadcast nationally on PBS.
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1982, vintage chromogenic print, signed, titled, and dated recto. Image size: 6.25″ x 8.875″, sheet size: 8″ x 10″, framed 11.75″ x 14.5″ ($1,000–$2,000)
Born and raised in Philadelphia, Laurence Salzmann has been a photographer and filmmaker since the early 1960s. After studying film in Paris, Salzmann attended Temple University, where he completed a BA in German Literature (1965) and an MA in Anthropology (1971). His photographic work is deeply informed by his background in anthropology and in many of his long-term projects he documents the lives of little known ethnic or social groups, both in the United States and abroad.
In 1974 Salzmann traveled to Romania on a Fulbright grant and for the next two years he lived in the town of Radauti in the Bukovina region. During this time he photographed the members of the town’s dwindiling Jewish community and documented their cultural practices and vanishing way of life. 8000 Jews lived in the town in 1930, but their community was uprooted and largely wiped out by the Holocaust. Salzmann notes, ‘Six thousand Romanian Jews perished during World War II; some died in concentration camps in Transnistria, but most did not survive the initial hardships of deportation. At the end of the war, a few returned, only to find their homes gone and the life they had known swept away.’ When he himself arrived in Radauti in 1974 there were only 240 Jews remaining among the town’s population of 22,000, many of them part of an older generation. In 1983 Salzmann’s photographs were published as a book, The Last Jews of Radauti. He also made a complementary film, which was broadcast nationally on PBS.
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Gary Saretzky: Seven Old Photos
2023, archival pigment print, signed, titled, and dated verso and on mat recto. Image size: 11.25″ x 15″, sheet size: 13″ x 17″ ($250–$500)
Exhibited at Lakefront Gallery, Hamilton, NJ, 2023
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2023, archival pigment print, signed, titled, and dated verso and on mat recto. Image size: 11.25″ x 15″, sheet size: 13″ x 17″ ($250–$500)
Exhibited at Lakefront Gallery, Hamilton, NJ, 2023
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Jan Saudek: Karolina (also, Z. Ravorina In Victorian Style)
1974, hand-colored gelatin silver print, signed in ink on the image. Image size: 14″ x 11″, sheet size: framed 22″ x 17.75″ ($800–$1,600)
Jan Saudek was born in Prague in 1935. His first attempts at photography were made when he received his first camera at the age of 15. In the years that followed, he was also drawn to painting. His artistic work was heavily influenced by the catalogue of the photography exhibition, Family of Man by Edward Steichen. This work pushed him to make his typical ‘wall’ compositions in the early 1970s, which became a sort of projection screen for his figural scenes.
In the following years, his international recognition grew quickly, and he worked with numerous artists, including Paule Pia, Kartsen Fricke, Marlene and Jean-Pierre Vorlet, Pierre Borhan, Anita Neugebauer and David Travis.
His first book of photography, Il teatro della vita, was published in Milan in 1981. Shortly afterwards he devoted himself fully to his work as a free-lance photographer. In 1990 he received the French Ordre des Arts et des Lettres, and the French director Jerome de Missolz made a film about him with the title Jan Saudek–Prague printemps 1990. In 2005 he published his most extensive book, SAUDEK, which was accompanied by a large retrospective exhibition in Prague.
Today, Jan Saudek is hailed as one of the most renowned Czech photographers. His work has been featured in over 400 solo and group exhibitions worldwide, and is included in the many international museum collections.
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1974, hand-colored gelatin silver print, signed in ink on the image. Image size: 14″ x 11″, sheet size: framed 22″ x 17.75″ ($800–$1,600)
Jan Saudek was born in Prague in 1935. His first attempts at photography were made when he received his first camera at the age of 15. In the years that followed, he was also drawn to painting. His artistic work was heavily influenced by the catalogue of the photography exhibition, Family of Man by Edward Steichen. This work pushed him to make his typical ‘wall’ compositions in the early 1970s, which became a sort of projection screen for his figural scenes.
In the following years, his international recognition grew quickly, and he worked with numerous artists, including Paule Pia, Kartsen Fricke, Marlene and Jean-Pierre Vorlet, Pierre Borhan, Anita Neugebauer and David Travis.
His first book of photography, Il teatro della vita, was published in Milan in 1981. Shortly afterwards he devoted himself fully to his work as a free-lance photographer. In 1990 he received the French Ordre des Arts et des Lettres, and the French director Jerome de Missolz made a film about him with the title Jan Saudek–Prague printemps 1990. In 2005 he published his most extensive book, SAUDEK, which was accompanied by a large retrospective exhibition in Prague.
Today, Jan Saudek is hailed as one of the most renowned Czech photographers. His work has been featured in over 400 solo and group exhibitions worldwide, and is included in the many international museum collections.
Place a Bid

Keith Sharp: Mirror and Waves, Cape Henlopen State Park, DE
2020, archival pigment print, ed. 2/15, signed, titled, dated, and numbered verso. Image size: 16″ x 24″, sheet size: 18″ x 26″ ($300–$600)
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2020, archival pigment print, ed. 2/15, signed, titled, dated, and numbered verso. Image size: 16″ x 24″, sheet size: 18″ x 26″ ($300–$600)
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Neal Slavin: Great Dane Breeders Association
1984/later, archival pigment print, signed, titled, and dated recto. Image size: 18″ x 12″, sheet size: 19″ x 13″ ($1,500–$2,000)
From the book Britons; exhibited at ICP, 1987; also the National Museum of Photography, Film, and Television, and many other venues.
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1984/later, archival pigment print, signed, titled, and dated recto. Image size: 18″ x 12″, sheet size: 19″ x 13″ ($1,500–$2,000)
From the book Britons; exhibited at ICP, 1987; also the National Museum of Photography, Film, and Television, and many other venues.
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Joseph Squillante: Newburgh Red
2013/2024, archival pigment print, signed, titled, and dated verso. Image size: 11.3″ x 11″, sheet size: 17″ x 13″ ($1,000–$2,000)
Exhibited at the Beacon Institute, A Close Look: The Hudson River, 2013, and the Art Students League, Elizabeth B. Sullivan Gallery, 2015.
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2013/2024, archival pigment print, signed, titled, and dated verso. Image size: 11.3″ x 11″, sheet size: 17″ x 13″ ($1,000–$2,000)
Exhibited at the Beacon Institute, A Close Look: The Hudson River, 2013, and the Art Students League, Elizabeth B. Sullivan Gallery, 2015.
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